Tag Archives: BWLB

3 Plays by Ed Schmidt

Ed Schmidt Amazon blurb

(3 Plays by Ed Schmidt, Books We Live by, $19.99) I am pleased to announce the release of a long-overdue play collection by one of the most original talents of the New York theater scene. Brooklyn-based playwright Ed Schmidt is a revolution—albeit a micro one. Imagine having your outdated kitchen transformed into a Greek amphitheater: that’s the kind of transformation he brings to the theater world. He would be the first to say, “Theater can happen anywhere.” And so he went to war, down into the trenches, to fight his revolution in places where audiences seldom tread—or care to. Why must a play take place on a stage, proscenium or otherwise? Why not in the cramped, stuffy space of a high school locker? Or in your friend’s cluttered living room? Call it pocket, intimate, or immersive theater, one thing is certain: from his tiny corner, he will make you sit through his musings on the most profound universal and existential questions. The rule has not changed: the grain of sand still speaks on behalf of the beach. How could anyone refuse this minute sunray when it coaxes with the promise of an abundant meal?

After the resounding success of Mr. Rickey Takes a Meeting over the past two decades, Ed Schmidt returns with three sharp, percussive works in this new collection. The playwright-turned-actor-turned-character never shies from engaging his audience—posing oblique questions, spinning both reliable and unreliable tales, and demanding that you surrender your trust and full participation before the bravado, fluidity, and gentleness that only a charlatan could muster. Whether you open The Last Supper, My Last Play, or Our Last Game, Schmidt strikes bright, high-flavored notes of surprise, never without a hint of gentle provocation. You have been warned: whatever your experience, you will not regret being drawn in so intimately.

New from BWLB: “Detour” a novel by Michael Brodsky

Brodsky-Detour-1-small-04-25-19Detour,” a novel by Michael Brodsky (BWLB, ebook $ 5.99, print $23.99)

Detour charts the struggle of a film-crazed young man to shape his identity; it is also about his resistance to doing so at every turn. Owning an identity can mean being straitjacketed, condemned to a living death; language becomes both an escape from the straitjacket and its evilest genius.

Detour is also a story of first love, as it concerns the intense, transient sexual relationship between the young man, who is very reluctant about to enter medical school in the Midwest, and a rootless former heroin addict named Anne.

The hero of Detour experiences movies the way Don Quixote responds to the romances of chilvary—as being infinitely more real than anything else in the world. Hence the connections relentlessly made between his own often Bresson, Welles, Fellini, Ophüls, Sternberg, Sirk, Karlson and Godard. Camera movements, cuts, dissolves, tension between sound and image—these torment, fascinate, liberate and exalt, because they seem to lie just beyond the vampire clutch of words, thoughts, analysis.

It is within such contexts that one begins to understand the “detours”—social, psychological, familial, erotic, existential—that frustrate and enrich the protagonist’s quest for love, for connectedness, for the satisfactions of a calling. As well as the artistic detours that are crucial to depicting his complex, lacerated, maturation.

It is by means of a technique that has truly absorbed the formal lessons of the novel and through an extraordinary command of language—and of the many different languages inside language: colloquial, technical, abstract—that Brodsky makes this account of the growth of the self so unnervingly new and unpredictable. In sentence after sentence, he manages to discharge the shock of the unknown, the unspeakable, the never before said.

Detour is a vastly expanded version of the novel that received the Ernest Hemingway Foundation Citation of the PEN American Center in 1979.

New from BWLB: “Three Goat Songs,” by Michael Brodsky

Brodsky-3Goats-2-03-06-19-smallWe are continuing to reissue Michael Brodsky‘s entire catalogue. This is installment #3. “Three Goat Songs” is a series of variations on a theme. It is divided into three novellas, each about a man who sits on a rocky coast by the seashore, contemplating. Herbs of goats come there to graze. The man is a husband and father of two children.

Three Goat Songs” is an exploration into the existential boundaries, in the “sea-bounded goat world.” It is a philosophical look at the essential sameness and, at the same time, the diversity of all stories. It has in common with the other books of Michael Brodsky the theme of the protagonist’s struggle to survive, and more than that, to comprehend.

Together, this body of work has led critics to compare the writing of Michael Brodsky to that of the masters like Dostoevsky, Becket, Joyce.

New from BWLB: “Circuits” by Michael Brodsky

Circuits, by Michael Brodsky (BWLB, $ 5.99)

This startling novel (originally published in 1991) is the concentrated peak of Brodsky’s dynamic and unique vision. With a shifting group of characters—Mazel Tov Jones, Neddie and Eddie, Vladimir and Mr. and Mrs. Stein, Brodsky explores the thought process of a protagonist who is accused of a murder but is never sure of his crime or his accusers. Brodsky’s character becomes a model for all humans trying to find a self-identity, reduced to the simple yet tragic dilemma of trying to communicate with fellow men. Stripped of excess plot and locale, this novel expands on the visions of Beckett and Kafka, but with a uniquely American voice.

Circuits will surprise and engage the serious reader at a level that few contemporary writers attempt to reach. Brodsky lives up to Ezra Pound’s famous challenge—Make it new—and pushes fiction and the novel to new limits with spirit and vigor.