Category Archives: Writing

Writing

New from BWLB: “Circuits” by Michael Brodsky

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Circuits, by Michael Brodsky (BWLB, $ 5.99)

This startling novel (originally published in 1991) is the concentrated peak of Brodsky’s dynamic and unique vision. With a shifting group of characters—Mazel Tov Jones, Neddie and Eddie, Vladimir and Mr. and Mrs. Stein, Brodsky explores the thought process of a protagonist who is accused of a murder but is never sure of his crime or his accusers. Brodsky’s character becomes a model for all humans trying to find a self-identity, reduced to the simple yet tragic dilemma of trying to communicate with fellow men. Stripped of excess plot and locale, this novel expands on the visions of Beckett and Kafka, but with a uniquely American voice.

Circuits will surprise and engage the serious reader at a level that few contemporary writers attempt to reach. Brodsky lives up to Ezra Pound’s famous challenge—Make it new—and pushes fiction and the novel to new limits with spirit and vigor.

Writing

New from BWLB: “Stanley Kubrick: The Odysseys,” by Fabrice Jaumont

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KubrickJaumont-Front Cover-11-05-18“Stanley Kubrick: The Odysseys,” by Fabrice Jaumont ($ 9.99, 140 pages)

April 2, 2018 was the 50th anniversary of a 1968 premiere screening in Washington, D.C. of Stanley Kubrick’s 2001: A Space Odyssey. The film remains the most fascinating cinematographic adventure given to experience. As a tribute to the masterpiece, and to the maestro himself, this essay which was first presented in 1995 as a scholarly paper explores the multiple connections to the Odyssean theme that one may find in Stanley Kubrick’s filmography.

Kubrick’s unweaving and re-weaving of the cinematographic tapestry reflect his attachment to the changeability implied in the Odyssean theme, which has become the theme of questioning, the perpetual questioning of one’s possibilities. The camera’s shuttling back and forth in time, round and round in space, through the means of dolly movements, shots and reverse shots, circular and spiraling recurrences, equates the director’s shuttling between classical and avant-garde techniques, between painting and photography, between musical intensity and spatial silence.

A chassé-croisé which the pluricephal director utilizes with a view to producing new angles of view and new parallaxes: a constant Kubrickian experimentation of the cinematographic language.

Writing

Author du Jour: Douglas Rushkoff

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Screen Shot 2019-01-22 at 11.46.45 AMIf you do not know who Douglas Rushkoff is, it is not too late to catch up. You will not regret it. He is the Naomi Klein male version. While I am not sure, he would appreciate I say this, this is, if I am right, his fifteenth plus books on culture, the digital economy and media, and he only gets better, clearer, punchier and to the point, with each new book. Rushkoff knows how to inspire and shock the crowds by revealing flaws and exposing false assumptions. His unique vision of the Techno-hyper-mediatized landscape is a perception we cannot do without. In this new book, “Team Human,” Rushkoff zeroes in on the pervasive effect of our most cherished human accomplishment: our technology, and what it is doing to you, to us, to our society . . . Here I will defer my authority to his clarity of thoughts and future projections. Get his book now.
 
“Team Human” is a manifesto―a fiery distillation of preeminent digital theorist Douglas Rushkoff’s most urgent thoughts on civilization and human nature. In one hundred lean and incisive statements, he argues that we are essentially social creatures, and that we achieve our greatest aspirations when we work together―not as individuals. Yet today society is threatened by a vast antihuman infrastructure that undermines our ability to connect. Money, once a means of exchange, is now a means of exploitation; education, conceived as way to elevate the working class, has become another assembly line; and the internet has only further divided us into increasingly atomized and radicalized groups.
 
“Team Human” delivers a call to arms. If we are to resist and survive these destructive forces, we must recognize that being human is a team sport. In Rushkoff’s own words: “Being social may be the whole point.” Harnessing wide-ranging research on human evolution, biology, and psychology, Rushkoff shows that when we work together we realize greater happiness, productivity, and peace. If we can find the others who understand this fundamental truth and reassert our humanity―together―we can make the world a better place to be human. (book description from Amazon)